Originally conceived to be used at dance parties, I created this gallery installation to grant users an interesting way to interact within an immersive and energizing space. User movements and interaction with the vinyl records both affect the projections of themselves across the three surrounding walls.

Three video feeds from variously mounted camera angles are sliced into vertical cells and projected. These cells are then randomized each time there is enough detected movement. A turntable is also on display, allowing users to manually generate music. The audio also communicates with digital filters to responsively distort all of the live video cells in real-time.

Nine different filters are independently applied to each one of the nine cells at any given time. Once enough motion is detected, one of my custom algorithms then randomly assigns filters to different video cells. 

Even though the visuals from this work are usually fast-paced, it is also possible for a single user to intimately interact within the space. The minimal movement will refrain the cells from randomizing, which means the cells keep their assigned filter. 

This video is a live screen capture of the distortions. The importance of this clip is to show real-time distortions of this interactive program of mine. It is a means of demonstrating that the video is seamless, despite the complex algorithms running the interactive program.